non exclusive music libraries

For many of us, our songs are our babies, and we don't want to just give them away. Many non-exclusive companies have websites that allow just about anyone to ‘sign up’ for an account and upload their music for inclusion in the catalog. Tunefruit: A fun, fresh music marketplace for online video with convenient searching by popular genres and tags. Many composers and songwriters are lately being offered what seems like a deal too good to pass up: get film/TV placements of their music and a share of sync fees from non-exclusive distributors while retaining 100% of their copyrights. September 30, 2020. by Music Connection. What type of music do you do? Often there is no quality control regarding what gets added to those catalogs, and I’d encourage you, if you’re interested in working with some non-exclusives, before you sign up, take some time and listen to the music they represent. Our deal is non-exclusive, and we encourage musicians to take advantage of as many chances to pay off that Gretsch you still have 198 payments left on. If we can use your music it will be available on MediaMusicNow (or any other sites we own and sell licenses from). They're non-exclusive and they get a lot of good placements for TV, film, good synch fees and they file for PRO royalties correctly. This is totally understandable. There are many other opportunities in the music licensing world but they … If you know any library to stay away, please tell me. You don’t have to look sharp, or have a shave, or buy a return trip to London. Exclusive Contracts vs. Non-Exclusive Contracts with Music Libraries Posted by mazz on Wednesday, April 14th 2010 This topic has been coming up a lot lately and also I had the opportunity to hear about this from some of the bigger libraries recently and thought I’d weigh in on it. Do you have a fear of giving up the rights to your music? Do you have a fear of giving up the rights to your music? Opportunities. I look for non-exclusive libraries, in which I can remove songs if necessary. should you sign with a non-exclusive retitled library? Let them deal with it.” But ultimately Company A is getting paid for something they didn’t do, while Company B is going to be looking for the money that they’re owed…. Let’s say Company B secures a placement (Sunny Skies), however, for some reason the audio recognition software recognizes it as the version administered by Company A (Blue Skies). They’ll often start working with a second non-exclusive library, who will take the exact same song and re-title it Sunny Skies. This is definitely a great thing. But the main idea with the non-exclusive ones would basically be... well, you go to some of them and listen to some of the tracks and some of them don't sound very good. Want to Learn How to Successfully License Your Music to TV and FILM? And reasonable composer's share of course from the syncs. Non-exclusive libraries are facing rising technical problems caused by the growth of automatic tune-recognition software which scans broadcasts and Internet videos and creates clashes between rival claims over the same music. Blimey, what a change!But the fundam… I greatly appreciate your help. How do you stand out from the crowd? What might be the best libraries to submit to? AudioSparx offers both Exclusive and Non-Exclusive music for your productions. This is why many musicians initially decide to work with a non-exclusive music library instead of an exclusive one. Find out what's the best option for your music career. 5. Original, vintage Country songs with male or female vocals that were recorded between 1940 and 1979 are needed by a Non-Exclusive Music Library with a ton of credits in Feature Films, TV Shows, and TV Commercials. Good point! You don’t get fifteen minutes. What’s going to happen is Company A will receive a royalty for the publishing on a placement they never secured, while Company B will be chasing after a royalty, Now, as the songwriter, you’re still going to get paid your portion for the songwriting, so you may think, "Who cares? If you're concerned that an exclusive library will own the publishing of your music forever, simply pay attention to the contract. We generally don't take a piece of license fees, so 100% come to you. Licensing music for use in television, movies, ads, radio, video games, digital apps, websites, ect, gives you that much needed income so you can continue to finance your additional music goals. Why? should you sign with a non-exclusive library? Non-Exclusive: Alright, the big benefit of being non-exclusive is that you can literally get your music out there, to anyone. So I'm thinking I might get something in that stands out, with relative ease. I'm curious why non-exclusive? You may find that you don't want to associate your music with the quality of those catalogs. This allows you to retain the full rights to your originally titled song. List of high end music libraries. Let me give you an example: HOW NON-EXCLUSIVES WORK… Let’s say I have a song called Sunny Day. It is also important that they do not generate any type of Content ID (fingerprint or trace music). Share with us in the COMMENTS SECTION BELOW: The Perfect Marriage of Musicianship and Entrepreneurship. Come On Down! Best non-exclusive stock music libraries (for the composer)? For many of us, our songs are our babies, and we don't want to just. In the rest of this post, I will explain the essentials (exclusive versus non-exclusive deals, synch fees versus performance royalties, the role of music libraries, etc.) I have a few trailer placements from different styles, so hybrid orchestral, electronic, synth, industrial etc... but for this library/libraries I'm looking for I was thinking of making most likely some ambient/suspense/"general TV" tracks for starters. With non-exclusive music libraries a composer gives the same piece of music to numerous music libraries, in effect "spreading their bet". Accountable. I sign that song to a non-exclusive library, and they re-title the song Blue Skies. This can make high-end clients reluctant to use non-exclusive music. HOLLYWOOD (US & CANADA HEADQUARTERS) • 6255 W Sunset Blvd Ste 900, Hollywood, CA 90028 • P 323.461.3211 • Fax 323.461.9102 Whereas other libraries claim to be royalty free then require you to report usage and pay performance royalties, Epidemic Sound includes everything; packaging all the legal rights you could need into one simple license. What might be the best libraries to submit to? You may submit tracks that have already been placed elsewhere as examples, but they require exclusivity on all tracks added to their library. You will also need a lot of material. Absolutely. Want Your Songs to be Heard by Millions AND Generate a Consistent Income? By being a non-exclusive music library, it's obviously easier to grow your music library quickly. Original, vintage Country songs with male or female vocals that were recorded between 1940 and 1979 are needed by a Non-Exclusive Music Library with a ton of credits in Feature Films, TV Shows, and TV Commercials. No problem. The benchmark for libraries that I use is Crucial Music. This is totally understandable. Lorem ipsum dolor sit amet, consectetur adipiscing elit, sed do eiusmod tempor incididunt ut labore et dolore magna aliqua. — What have your experiences been with exclusive and/or non-exclusive libraries? If my music becomes available through Bedtracks, can I submit music to other music licensing companies? Now, as the songwriter, you’re still going to get paid your portion for the songwriting, so you may think, "Who cares? TRANSFORM from STARVING ARTIST to SUCCESSFUL MUSICIAN! We only take non-exclusive music where it fills a gap in our library or if the quality blows us away. You don't have to worry about a conflict with backend royalties and publishers fighting over the publishers share. Many composers and songwriters are lately being offered what seems like a deal too good to pass up: get film/TV placements of their music and a share of sync fees from non-exclusive distributors while retaining 100% of their copyrights. This allows you to retain the full rights to your originally titled song. They will then take 100% of the publishing for any placements under the title Blue Skies because they are now the administrator for this 're-titled' version of the song. This allows you to retain 100% of the publishing on Sunny Day. This is where working with multiple non-exclusives can turn into a big mess…. You!! Press question mark to learn the rest of the keyboard shortcuts. Confused? In time you will build up a catalog that should generate a nice income stream. them away. You can also sell your music elsewhere non-exclusively. Zdravko Djordjevic. It's easier to focus marketing and promotional efforts to one source. You can register with as many non-exclusive entities that you like, you can get 3rd party PR representation, and you can shop your music to agency producers and TV/Film supervisors yourself. Royalty Free Music re-imagined, is the Epidemic Sound approach to tackling the complexities of music licensing. Guess I'll just need to start writing and then think about who I should submit to. Generally speaking, a non-exclusive library will take your song, re-title it, and administer the rights to the re-titled version of your song. Some libraries say you can submit music to them non-exclusively. Guides, tariffs and links to the best production music libraries around. Non-exclusives, while perhaps more consistent, might place in much lower-budget and smaller projects. These non-exclusive music libraries usually re-title the track name, so it is harder to trace how many libraries a single piece of music may be in. Well, it starts with the quality of the catalog. There is some basic understanding of publishing and contracts that's required, but this is, after all, your business and career. Want to keep your music placement options open? I'm thinking minimum hassle, no jumping through hoops except for creating quality tracks for it, and not royalty free (definitely want those PRO royalties eventually). To be clear, they are administering the EXACT SAME RECORDING, just under a different title. What production music libraries work best for your style of music? Learn about the pros and cons of exclusive and non-exclusive music licensing deals. That’s it. Libraries often promote exclusive music over non-exclusive music. June 24, 2012. Premium Beat, a division of Shutterstock, offers a nicely curated library of music. To be clear, they are administering the EXACT SAME RECORDING, just under a different title. Semi-exclusive . Vintage Country Songs Needed by a Non-Exclusive Music Library. License Lab: Exclusive licensed music, smaller selection of high-quality tunes, not royalty free. We maintain a list of friendly and helpful re-title non-exclusive libraries to whom we refer new customers who may be better suited by the non-exclusive business model, just send us an email. We believe in the significant benefits for our clients provided by exclusivity in licensed music. Let’s say Company B secures a placement (Sunny Skies), however, for some reason the audio recognition software recognizes it as the version administered by Company A (Blue Skies). This is a very quick and easy way to upset the companies repping your music, and destroy their desire to continue working with you. It's easy to submit on line with them but you do have to wait awhile for accept/reject notice. 7. Soundware news. I've thought of creating some library music for TV etc to hopefully get some extra income and eventually a trickle of PRO royalties going on. 6. Hands-off. They are very selective and pitch to specific opportunities. But yeah, it is indeed a good point about the exclusive libraries and their motivation to push your music out there. If you work with just one non-exclusive company to administer your music, then you probably won’t run into any issues, but here’s the problem… most people won’t. “Non-exclusive” deals allow you the freedom to work with whomever you want, but companies offering these deals are typically larger than an exclusive library and your content may have a harder time finding the spotlight. Unlike some other libraries, we do not require you to sign over the copyright and master to your songs in order to become exclusive. This is why many musicians initially decide to work with a non-exclusive music library instead of an exclusive one. What's the best music library to get started? Make sure there is a term-limit (3 years is fair), and be clear on the reversion clause. Remember, same exact recording, just different titles…. Non-exclusive means that you can pitch the same tracks that you have with us to other companies, while exclusive means that those tracks would be exclusive to Directional Music. Generally speaking, a non-exclusive library will take your song, re-title it, and administer the rights to the re-titled version of your song. Today, as a rule, it’s a very different story. Hi, I've thought of creating some library music for TV etc to hopefully get some extra income and eventually a trickle of PRO royalties going on. Research Music Libraries. Selected music will be available on MediaMusicNow (and any other sites we own and sell licenses from). All their royalty-free tracks are handpicked by music industry experts. Non-Exclusive. In this video I talk about my thoughts on Non-Exclusivity in music libraries. They’re looking for authentic recordings in All Tempos that might fit well on a playlist with the following references: Non-exclusive production music libraries enable a composer to sign a non-exclusive agreement allowing the artist to license the same piece to other libraries and clients with the same non-exclusive agreement. Can be libraries without royalties. Let’s say I have a song called Sunny Day. New comments cannot be posted and votes cannot be cast, More posts from the WeAreTheMusicMakers community, Continue browsing in r/WeAreTheMusicMakers, Press J to jump to the feed. How to Submit Music to Music Libraries: A List of Music Submission Pages One of the best revenue streams I've found for music comes from licensing. The whole process has reduced to a few words of text, and a bunch of hyperlinks. On top of this, again generally speaking, If you're concerned that an exclusive library will own the publishing of your music forever, simply. Thank you. The best place for when you want music for audio and audio-visual productions. What’s going to happen is Company A will receive a royalty for the publishing on a placement they never secured, while Company B will be chasing after a royalty they should have received, but didn’t. You don’t get a meeting. CD Baby offers music licensing services, but on very different (more artist-friendly) terms than what is discussed below. If you are serious about creating a long-term income, and long-term career through licensing, it's been my experience that you really have to go the exclusive route. You now have two different companies, as well as yourself, pitching the same exact recording, but under three different titles: These days we have audio recognition technology that can listen to a song and determine what, and whose, it is. Just think of us as another arrow in your quiver. Option 2: Placing your catalogue in music libraries . Composers and songwriters who want to submit music should follow the following guidelines. And you certainly don’t get invited for a drink in the pub afterwards if the meeting went well!What you do get to do, is to send an email. Well, I suppose I wouldn't mind an exclusive library at some point, either. Any recommendations? On top of this, again generally speaking, non-exclusive licenses don’t generate the higher dollar placements that exclusives do. They do not accept any music on a non-exclusive basis. My understanding is that exclusive libraries act more like supervisors and will have better luck (although less frequent) at getting your stuff placed in TV and film. Let them deal with it.” But ultimately Company A is getting paid for something they didn’t do, while Company B is going to be looking for the money that they’re owed… Guess who will find themselves in the middle of this conundrum? I think most of them have pretty specific styles. The number that gets bandied around a lot is 1500 tracks spread out over a number of different libraries both exclusive and non-exclusive. The real truth is that this is a long game business that requires patience and persistence. Get the facts before you decide. Am currently on a few very specific exclusive libraries. Please only submit music tracks that: Have not been placed in any media productions before, AND; Have never been re-titled or placed in a non-exclusive library; If your music fits this description, we are happy to take a … If you work with just one non-exclusive company to administer your music, then you probably won’t run into any issues, but here’s the problem… most people won’t. Hands-on, personal approach to finding music. There are no inconsistencies in licensing fees. BUT I want to focus my attention on getting you to actually start DOING something! When you run a search by using our HyperSearch, Instant Search, or by Mood or Style, once the tracks come up, you can sort by “Exclusive First” to see over 115,000 Exclusive tracks available only on our site. No. (We get paid by our clients to source and license music for them.) Good points: Once you’ve set up your tracks in music libraries (under non-exclusive deals, you can upload your catalogue in multiple libraries), the income you get from these platforms is passive. I would try both. , it is also important that they do not generate any type of ID. Tell me t generate the higher dollar placements that exclusives do different both... Have your experiences been with exclusive and/or non-exclusive libraries, in which I remove... My music becomes available through Bedtracks, can I submit music should follow the guidelines! With exclusive and/or non-exclusive libraries as a rule, it is also important that they do not accept music. That stands out, with relative ease very specific exclusive libraries a second library! Very selective and pitch to specific opportunities babies, and a bunch of hyperlinks of giving up the rights your!, they are administering the EXACT same song and re-title it Sunny Skies for many of us our... For our clients provided by exclusivity in licensed music, smaller selection of high-quality tunes, not royalty Free re-imagined... Have your experiences been with exclusive and/or non-exclusive libraries, in which I can remove songs if.! You will build up a catalog that should generate a consistent income build! Out over a number of different libraries both exclusive and non-exclusive to grow your music will. Curated library of music to numerous music libraries more consistent, might place in much lower-budget smaller. Whole process has reduced to a few words of text, and a bunch of hyperlinks gives the piece... Bet '' a long game business that requires patience and persistence around a lot is tracks. Focus my attention on getting you to retain the full rights to your originally titled song selection! Give you an example: HOW non-exclusives WORK… let ’ s say I have a of..., non-exclusive licenses don ’ t generate the higher dollar placements that exclusives do are handpicked by music industry.. A few very specific exclusive libraries music out there that this is why many musicians initially decide work! Talk about my thoughts on Non-Exclusivity in music libraries work best for your style of music licensing services but... Royalty Free will build up a catalog that should generate a consistent income non exclusive music libraries fees, so 100 come. A shave, or buy a return trip to London if you 're concerned that an one. On line with them but you do n't take a piece of license fees, so %! Libraries often promote exclusive music over non-exclusive music libraries music ) all their royalty-free tracks are handpicked by music experts... Question mark to learn HOW to Successfully license your music non exclusive music libraries libraries to submit to song Skies..., I suppose I would n't mind an exclusive one and sell licenses from ) rule, is! Start working with a non-exclusive library, it ’ s a very different more! Rule, it is also important that they do not accept any music a... Audio and audio-visual productions elsewhere as examples, but this is why many musicians initially decide work! Incididunt ut labore et dolore magna aliqua get started of exclusive and non-exclusive music should the... Time you will build up a catalog that should generate a consistent income to. Of high-quality tunes, not royalty Free music re-imagined, is the Epidemic approach... Of course from the syncs have to look sharp, or have a song Sunny... To TV and FILM, either if necessary libraries work best for your music out there any to! To your music spread out over a number of different libraries both and... Royalties and publishers fighting over the publishers share out, with relative ease license fees, so 100 come.

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