bach coffee cantata wikipedia

If more than one part was composed for one instrument, the number is given, for example "3Tr" for three trumpets. Church cantata performances alternated in the two churches for ordinary Sundays and took place in both churches on high holidays such as Christmas, then one in the morning, one in the afternoon, and again alternating for the three days such an occasion was celebrated. [3] The occasion for which the piece was performed is given first, in Latin: "Dominica 21. post Trinit" (21st Sunday after Trinity Sunday, with Trinit short for Trinitatem). Typically, he began a heading with the abbreviation J.J. (Jesu juva, "Jesus, help"), followed by the name of the celebration, the beginning of the words and the instrumentation, for example in Gloria in excelsis Deo, BWV 191. These cantatas were performed even after his death, according to Christoph Wolff probably because the well-known hymns were appealing to the audience.[10]. It is sortable by the cantata number which equals the number in the Bach-Werke-Verzeichnis (BWV), by title, by occasion during the liturgical year, the year of composition and date of first performance, as far as known. The list includes both extant cantatas and, as far as known, lost cantatas. "Grace in the Arts: / An Evangelical Musical Genius: / "J.S.B. Magnificat) and common tunes (e.g. Violini. 11, 16), chorale setting "O Gott, du frommer Gott" (s. 1), chorale setting "Was frag ich nach der Welt", chorale setting "Treuer Gott, ich muss dir klagen" (s. 12), chorale setting "Weg, mein Herz, mit den Gedenken", chorale setting "Freu dich sehr, o meine Seele", chorale setting "Ach wie flüchtig, ach wie nichtig" (s. 8), chorale setting "Helft mir Gotts Güte preisen" (s. 12), chorale setting "Zeuch ein zu deinen Toren", chorale setting "Nun lob, mein Seel, den Herren" (s. 5), chorale setting "Tröstet, tröstet, meine Lieben" (s. 3), chorale setting "Wenn mein Stündlein vorhanden ist" (s. 5), chorale setting "Weg, mein Herz, mit den Gedenken" (s. 12), chorale setting "Allein zu dir, Herr Jesu Christ" (s. 4), chorale setting "Wie schön leuchtet der Morgenstern" (s. 7), chorale setting "Wie schön leuchtet der Morgenstern" (s. 6), chorale setting "Nun komm, der Heiden Heiland" (s. 8), chorale setting "Ich dank dir, lieber Herre" (s. 4), chorale setting "Aus tiefer Not schrei ich zu dir" (s. 5), chorale setting "Kommt, lasst euch den Herren lehren" (s. 6), chorale setting "Wir Christenleut" (s. 3), chorale setting "Schwing dich auf zu deinem Gott" (s. 2), chorale setting "Freuet euch, ihr Christen alle" (s. 4), chorale setting "Jesu, nun sei gepreiset" (s. 3), chorale setting "Verleih uns Frieden gnädiglich" (ss. For example, he titled the parts of Aus tiefer Not schrei ich zu dir, BWV 38, using a mix of languages to describe the occasion, the incipit, the precise scoring and his name: "Dominica 21. post Trinit / Aus tieffer Noth schrey ich zu dir. / Viola. The cantata Wie schön leuchtet der Morgenstern, BWV1, was selected as the first work to appear in the Bach-Gesellschaft-Ausgabe, the first complete edition.[32]. as opera. 200th Anniversary of the Augsburg Confession. Cantatas, under his personal direction, were performed in the Nikolaikirche and in the Thomaskirche, alternating on ordinary Sundays. / di / Signore / J.S.Bach". Lib., by Picander, refers to the growing fondness for coffee at the time it was comp. Cantatas, BWV 211–220 BWV 211: Schweigt stille, plaudert nicht (Coffee Cantata) BWV 212: Mer hahn en neue Oberkeet (Peasant Cantata) BWV 213: Laßt uns sorgen, laßt uns wachen (Hercules auf dem Scheidewege) BWV 214: Tönet, ihr Pauken! Many opening movements are based on quotations from the Bible, such as Sie werden aus Saba alle kommen, BWV 65, from Isaiah 60:6. The bass is often the vox Christi, the voice of Jesus, when Jesus is quoted directly, as in Es wartet alles auf dich, BWV 187, or indirectly, as in O Ewigkeit, du Donnerwort, BWV 60. BWV 8, Wär Gott nicht mit uns diese Zeit, BWV 14, Denn du wirst meine Seele nicht in der Hölle lassen, BWV 15, Wer Dank opfert, der preiset mich, BWV 17, Gleichwie der Regen und Schnee vom Himmel fällt, BWV 18, Es ist nichts Gesundes an meinem Leibe, BWV 25, Ach wie flüchtig, ach wie nichtig, BWV 26, Gottlob! Each part is a sequence of an opening movement, five movements with alternating recitatives and arias, and a chorale. This is a sortable list of the Bach cantatas, the cantatas of Johann Sebastian Bach. So much so that he wrote a composition about the beverage. Music was expected for all Sundays and holidays except the quiet times (tempus clausum) of Advent and Lent; the cantatas were supposed to reflect the readings. Since Schmieder's designation, several of the cantatas he thought authentic have been redesignated as "spurious." The chorale can be as simple as a traditional four-part setting, or be accompanied by an obbligato instrument, or be accompanied by the instruments of the opening chorus or even expanded by interludes based on its themes, or have the homophonic vocal parts embedded in an instrumental concerto as in the familiar Herz und Mund und Tat und Leben, BWV 147, or have complex vocal parts embedded in the concerto as in Ärgre dich, o Seele, nicht, BWV 186, in a form called Choralphantasie (chorale fantasia). Ideally, a cantata text started with an Old Testament quotation related to the readings, and reflected both the Epistle and the Gospel, as in the exemplary Die Himmel erzählen die Ehre Gottes, BWV 76. This page was last edited on 3 January 2021, at 07:50. "Singing The Word: The Cantatas of J S Bach". Tarnhelm Ed. Walter F. Bischof: The Bach Cantatas, University of Alberta, Z. Philip Ambrose: Texts of the Complete Vocal Works with English Translation and Commentary, University of Vermont, This page was last edited on 18 December 2020, at 19:11. In a satirical commentary, the cantata amusingly tells of an addiction to coffee. Chorale cantatas between Trinity and Easter: Later additions to the chorale cantata cycle: International Music Score Library Project, Wie schön leuchtet der Morgenstern, BWV 1, Bleib bei uns, denn es will Abend werden, BWV 6, Liebster Gott, wenn werd ich sterben? Vol. [36] Although the German term Bachkantate (Bach cantata) became very … A typical Bach cantata of his first year in Leipzig follows the scheme: The opening chorus (Eingangschor) is usually a polyphonic setting, with the orchestra presenting the themes or contrasting material first. The Café Zimmermann, or Zimmermannsches Kaffeehaus was the coffeehouse of Gottfried Zimmermann in Leipzig which formed the backdrop to the first performances of many of Bach's secular cantatas, e.g. Name of the composition: if the composition is known by a German, extant or clearly documented partial or complete manuscript (copy) by Bach and/or first edition under Bach's supervision, extant or clearly documented manuscript (copy) or print edition, in whole or in part, by close relative, i.e. Another cantata in which Bach used that term is Ich bin vergnügt mit meinem Glücke, BWV 84. 12 volumes. / 4. It did not take long, however, for coffee to become the fashionable drink in European cities, and by the time Bach wrote the Coffee Cantata (around 1732-1735), coffee houses were commonplace. In the early 1950s Fritz Lehmann recorded several cantatas with the Berliner Motettenchor and the Berlin Philharmonic. chorale setting "Ach Gott, vom Himmel sieh darein", chorale setting "Jesu, der du meine Seele" (s. 12), chorale setting "Ein feste Burg ist unser Gott" (s. 4), chorale setting "Jesu, meine Freude" (s. 2), chorale setting "Mit Fried und Freud ich fahr dahin" (s. 4), chorale setting "Wer weiß, wie nahe mir mein Ende" (s. 12), chorale setting "Wer nur den lieben Gott lässt walten", chorale setting "Ist Gott mein Schild und Helfersmann" (s. 4), chorale setting "Es ist das Heil uns kommen her" (s. 11), chorale setting "Selig ist die Seele" (s. 9), chorale setting "Wer nur den lieben Gott lässt walten" (s. 7), chorale setting "Wo soll ich fliehen hin" (s. 7), chorale setting "Nimm von uns, Herr, du treuer Gott" (s. 7), chorale setting "Vater unser im Himmelreich", chorale setting "Was frag ich nach der Welt" (s. 8), chorale setting "Wenn mein Stündlein vorhanden ist" (s. 4), satbSATB Hn or Tbn Fl/Fl or Vl 2Ob Str Bc, chorale setting "Herr Christ, der einge Gottessohn" (s. 5), chorale setting "So wahr ich lebe, spricht dein Gott" (ss. Helmuth Rilling, Gächinger Kantorei, and the Bach-Collegium Stuttgart completed a recording of the sacred cantatas and oratorios on Bach's 300th birthday, 21 March 1985. 4, 6), chorale setting "Treuer Gott, ich muß dir klagen" (ss. Bach moved to Mühlhausen in 1707 when he was 22 to take up an appointment as the organist of St. Blasius church (Divi Blasii). However, the spurious cantatas retain their BWV numbers. At Coffee Cantata, freshness is key. There is some evidence for the chorale cantatas being performed at Leipzig after Bach's death, but the cantatas were little known until a society called the Bach-Gesellschaft began to publish the composer's complete works starting in 1851. Nickname for humorous cantata by Bach (BWV211, 1732) sometimes perf. Nonetheless Bach would have had more singers available at Leipzig, for example, while the space in the court chapel in Weimar was limited. Working for Leipzig's Thomaskirche and Nikolaikirche, it was part of Bach's job to perform a church cantata every Sunday and holiday, conducting soloists, the Thomanerchor and orchestra as part of the church service. Bach's almost 200 extant cantatas are among his important vocal compositions. In an aria of BWV 172, addressing the Heiligste Dreifaltigkeit (Most holy Trinity), the bass is accompanied only by three trumpets and timpani. Order coffee online and get craft roasted coffee beans delivered from our roastery to your doorstep. 5, Der Himmel dacht auf Anhalts Ruhm und Glück, BWV 66a, Church cantatas of Bach's third to fifth year in Leipzig, Late church cantatas by Johann Sebastian Bach, Kyrie–Gloria Mass, BWV 232 I (early version), Chorale cantata (Bach)#Bach's chorale cantatas, List of chorale harmonisations by Johann Sebastian Bach#Chorale harmonisations in various collections, List of organ compositions by Johann Sebastian Bach#Chorale Preludes, chorale setting "Auf, mein Herz, des Herren Tag", chorale setting "Jesus, meine Zuversicht", Secular cantata model for church cantata versions of BWV 194. 9–10), chorale setting "Nun lasst uns Gott dem Herren", satbSATB 3Tr Tmp 2Hn 2Fl 2Ob Oba Str Va Vdg Bc. The final words were usually a stanza from a chorale. Masaaki Suzuki commenced in 1995 a project to record the complete sacred cantatas with his Bach Collegium Japan for the Swedish label BIS; he completed the process in 2013. sections indicated by Roman numerals (I–III), "after" – indicating a model for the composition, "by" – indicating the composer of the composition (if different from Johann Sebastian Bach), "in" – indicating the oldest known source for the composition, "see" – composition renumbered in a later edition of the BWV. The title plays off J. S. Bach's "Coffee" Cantata. Emmanuel Music is a Boston-based ensemble of singers and instrumentalists founded in 1970 by Craig Smith to perform the complete sacred cantatas of J.S. Links are found for the individual cantatas: Bach cantatas listed in the first chapter of the, Ibbitson, John, "A Bach cantata two decades in the making," Toronto Globe and Mail, Nov. 08, 2013 URL=. Model: "Coffee" Cantata by J. S. Bach The "Sanka" Cantata was the first P. D. Q. Bach piece that Peter Schickele "discovered," in 1954. Bach often wrote a title page for the autograph score and copies of the original parts. cantata for soprano, violin/flute, and continuo : Le Caffé is taken from the third volume of cantatas, whose texts are by Louis Fuzelier, a writer who became famous as the author of many works for the theatre. 21, Cantata for the birthday of Johann August of Anhalt-Zerbst, Der Herr ist freundlich dem, der auf ihn harret, Vergnügende Flammen, verdoppelt die Macht, Texts of the Complete Vocal Works with English Translation and Commentary, "A List of Church Cantatas in Presumed Order of Production", "Appendix II: The Church Cantatas Arranged Cronologically", pp. Bach used an expanded structure to take up his position in Leipzig with the cantatas Die Elenden sollen essen, BWV 75, and Die Himmel erzählen die Ehre Gottes, BWV 76, both in two parts, to be performed before and after the sermon (post orationem) and during communion (sub communione). Six movements of his congratulatory cantata Durchlauchtster Leopold, BWV 173a, form the cantata for Pentecost Monday of 1724, Erhöhtes Fleisch und Blut, BWV 173, while a seventh movement was made part of the cantata for Pentecost Tuesday of 1725, Er rufet seinen Schafen mit Namen, BWV 175. 10–11), chorale setting "In allen meinen Taten" (s. 9), chorale setting "Wär Gott nicht mit uns diese Zeit" (s. 3), chorale setting "Helft mir Gotts Güte preisen" (s. 6), chorale setting "Nun lob, mein Seel, den Herren" (s. 3), chorale setting "Durch Adams Fall ist ganz verderbt" (s. 8), chorale setting "Ich ruf zu dir, Herr Jesu Christ", chorale setting "Freu dich sehr, o meine Seele" (s. 9), chorale setting "Weg, mein Herz, mit den Gedanken", chorale setting "O Ewigkeit, du Donnerwort" (ss. Bach wrote a Coffee Cantata: J.S. Ihr herrschenden Götter der Erden, Meine Seel erhebt den Herren, BWV Anh. The basso continuo consists of a group of players, depending upon the scoring of the cantata and the performance location. In 1928, The New York Times reported the presentation in Paris of two secular Bach cantatas by opera soprano Marguerite Bériza and her company in staged productions, The Peasant Cantata and The Coffee Cantata. The cycle extends over several years, although the cantatas from 1727 have been termed as "between the third and fourth cycles". "The texts of Bach's Church cantatas: some observations". Bach's major works such as the Passions and the Mass in B minor are inserted in the listing for comparison. The Peasant Cantata is as fresh and zesty as the Coffee Cantata and performed with the usual precision and charm one comes to expect from these two artists. Folia), are not usually indicated in this column. BWV 215: Preise dein Glücke, gesegnetes Sachsen; BWV 216: Vergnügte Pleissenstadt Coffee Cantata (Kaffeecantate). the Coffee Cantata (Schweigt stille, plaudert nicht), and instrumental works. THE COFFEE CANTATA JOHANN SEBASTIAN BACH English Versiion by Donald Pippin The clash between parental authority and youthful defiance has come to be known as the generation gap -- not an entirely new phenomenon. Leonhardt conducted the Tölzer Knabenchor, Knabenchor Hannover and the Collegium Vocale Gent, and the ensemble Leonhardt-Consort. Bach sometimes reused an earlier composition, typically revising and improving it in a process called parody. A link to the free score of the Bach Gesellschaft in the International Music Score Library Project (IMSLP) is provided if available. [34][35] Karl Richter called his choir programmatically Münchener Bach-Chor in 1954 and recorded about a third of the cantatas. / 2. Ton Koopman and the Amsterdam Baroque Orchestra & Choir recorded all vocal works of Bach in 10 years starting in 1994, including the cantatas. Few people have been better positioned to observe it than J. S. Bach, some three hundred years ago. S. バッハの世俗カンタータ。 1732年から1734年にかけて作曲されたカンタータであり、小喜歌劇である。. The German composer perhaps best known for the Brandenburg Concertos also wrote Schweigt Stille, Plaudert Nicht, which translates to Be Still, Stop Chattering.But at Electronic Beats reports, the comic opera goes by another name, the Coffee Cantata. In an exemplary way both cantatas cover the prescribed readings: starting with a related psalm from the Old Testament, Part I reflects the Gospel and Part II the Epistle.[4]. In Ich will den Kreuzstab gerne tragen, BWV 56, he wrote Cantata à Voce Sola e Stromenti (Cantata for solo voice and instruments). The first cantata is written for the ninth Sunday after Trinity, but the following year he added a substantial work for the first Sunday after Trinity. 2010. There is evidence that he reused musical material from works that he premiered in Leipzig in the 1720s, for example the secular cantata Schwingt freudig euch empor, BWV 36.1, believed to be have been composed to honour one of the Bach's academic colleagues in Leipzig, was the basis of a secular cantata with a text in honour of Leopold's second wife.[9]. While individual cantatas were recorded as early as the 1930s, a complete set was not attempted until the 1970s when Nikolaus Harnoncourt and Gustav Leonhardt began recording the Teldec set. Some cantatas are structured as a dialogue, mostly for Jesus and the Soul (bass and soprano), set like miniature operas. brother (, extant or clearly documented manuscript (copy) by close friend and/or, chorale setting "Ach Gott, vom Himmel sieh darein" (s. 6), chorale setting "Ach Gott, wie manches Herzeleid" (s. 18), chorale setting "Christ lag in Todes Banden" (s. 7), chorale setting "Wo soll ich fliehen hin" (s. 11), chorale setting "Erhalt uns, Herr, bei deinem Wort" (s. 2), chorale setting "Es ist das Heil uns kommen her" (s. 12), chorale setting "Meine Seel erhebt den Herren" (doxology, ss. The cantatas 54 and 199 were performed within the cycle but possibly composed earlier. Not only a single movement but a complete cantata was reworked from the Shepherd cantata Entfliehet, verschwindet, entweichet, ihr Sorgen, BWV 249a, to become the Easter Oratorio. Bach's four short masses are parodies of cantata movements; he used several movements of Siehe zu, daß deine Gottesfurcht nicht Heuchelei sei, BWV 179, for two of them. for most cantatas) usually indicate the assumed date of first (public) performance. 18世紀当時、本作の初演地のライプツィヒではコーヒー依存症が喫緊の社会問題 … (Be still, stop chattering), BWV 211, also known as the Coffee Cantata, is a secular cantata by Johann Sebastian Bach. The Thomanerchor has sung a weekly cantata during the evening service Motette on Saturday. BWV 214, Preise dein Glücke, gesegnetes Sachsen, BWV 215, Siehe, es hat überwunden der Löwe, BWV 219, Wer sucht die Pracht, wer wünscht den Glanz, BWV 221, Reißt euch los, bedrängte Sinnen, BWV 224, Klagt, Kinder, klagt es aller Welt, BWV 244a, Entfliehet, verschwindet, entweichet, ihr Sorgen, BWV 249a, Verjaget, zerstreuet, zerrüttet, ihr Sterne, BWV 249b, Alles mit Gott und nichts ohn' ihn, BWV 1127, Dich loben die lieblichen Strahlen der Sonne, Es lebe der König, der Vater im Lande, BWV Anh. chorale setting "Wenn einer alle Ding verstünd" (s. 8)? Fresh Coffee Delivered. Bach's … One or two more surviving cantatas may have been composed while Bach was at his previous post in Arnstadt, for example, Nach dir, Herr, verlanget mich, BWV 150. This work shares with J S Bach's "Coffee cantata" the distinction of being the only such works on the comtemporary craze for coffee. Bach did not follow any strict scheme but composed as he wanted to express the words. A few cantatas are opened by an instrumental piece before the first chorus, such as the Sinfonia of Wir danken dir, Gott, wir danken dir, BWV 29. The list follows the Bach-Werke-Verzeichnis and contains all sacred cantatas (1–197, 199), secular cantatas (198, 201–215), fragments (50, 80b, 216, 224) and works formerly attributed to Bach (15, 53, 141–142, 160, 189, 217–223), lost cantatas (36a, 66a, 70a, 80a, 120b and others), as well as works which are no longer considered cantatas (11, 53, 118). Mer hahn en neue Oberkeet (We have a new governor), BWV 212, is a secular cantata by Johann Sebastian Bach.It was entitled the "Cantate burlesque" (burlesque cantata) by Bach himself, but is now popularly known as the Peasant Cantata.It is the last definitely dated Bach cantata. Some cantatas are composed for a solo singer (Solokantate), as Jauchzet Gott in allen Landen, BWV 51, for soprano, sometimes concluded by a chorale, as in Ich will den Kreuzstab gerne tragen, BWV 56, for bass. The List of Bach cantatas is organized by BWV number but sortable by other criteria. Bach often held concerts at his favorite coffee house in Leipzig, “Zimmerman’s Coffee House”. Bach's cantatas usually require four soloists and a four-part choir, but he also wrote solo cantatas (i.e. Many cantatas composed in Weimar are set like chamber music, mostly for soloists, with a four-part setting only in the closing chorale, which may have been sung by the soloists. During this time, he wrote a mini comic opera or dramma per musica called Schweigt stille, plaudert nicht (Be still, stop … One size of choir probably does not fit all the cantatas. J. C. J. Bach used parody to be able to deliver cantatas for Christmas, Easter and Pentecost, which were each celebrated for a period of three days. BWV 81, Ich bin vergnügt mit meinem Glücke, BWV 84, Wahrlich, wahrlich, ich sage euch, BWV 86, Bisher habt ihr nichts gebeten in meinem Namen, BWV 87, Siehe, ich will viel Fischer aussenden, BWV 88, Was soll ich aus dir machen, Ephraim, BWV 89, Es reißet euch ein schrecklich Ende, BWV 90, Wer nur den lieben Gott läßt walten, BWV 93, Herr Christ, der einge Gottessohn, BWV 96, Nimm von uns, Herr, du treuer Gott, BWV 101, Herr, deine Augen sehen nach dem Glauben, BWV 102, Herr, gehe nicht ins Gericht mit deinem Knecht, BWV 105, Gottes Zeit ist die allerbeste Zeit, BWV 106, Es ist euch gut, daß ich hingehe, BWV 108, Ich glaube, lieber Herr, hilf meinem Unglauben, BWV 109, Was mein Gott will, das g'scheh allzeit, BWV 111, Herr Jesu Christ, du höchstes Gut, BWV 113, Ach, lieben Christen, seid getrost, BWV 114, Du Friedefürst, Herr Jesu Christ, BWV 116, Sei Lob und Ehr dem höchsten Gut, BWV 117, O Jesu Christ, meins Lebens Licht, BWV 118, Gott, man lobet dich in der Stille, BWV 120, Herr Gott, Beherrscher aller Dinge, BWV 120a, Gott, man lobet dich in der Stille, BWV 120b, Liebster Immanuel, Herzog der Frommen, BWV 123, Mit Fried und Freud ich fahr dahin, BWV 125, Erhalt uns, Herr, bei deinem Wort, BWV 126, Herr Jesu Christ, wahr' Mensch und Gott, BWV 127, Aus der Tiefen rufe ich, Herr, zu dir, BWV 131, Bereitet die Wege, bereitet die Bahn, BWV 132, Ein Herz, das seinen Jesum lebend weiß, BWV 134, Die Zeit, die Tag und Jahre macht, BWV 134a, Erforsche mich, Gott, und erfahre mein Herz, BWV 136, Lobe den Herren, den mächtigen König der Ehren, BWV 137, Warum betrübst du dich, mein Herz, BWV 138, Wohl dem, der sich auf seinen Gott, BWV 139, Nimm, was dein ist, und gehe hin, BWV 144, Ich lebe, mein Herze, zu deinem Ergötzen, BWV 145, Herz und Mund und Tat und Leben, BWV 147a, Bringet dem Herrn Ehre seines Namens, BWV 148, Schau, lieber Gott, wie meine Feind, BWV 153, Mein liebster Jesus ist verloren, BWV 154, Ich lasse dich nicht, du segnest mich denn, BWV 157, Sehet, wir gehn hinauf gen Jerusalem, BWV 159, Ach! For example, Gott ist mein König, BWV 71, was composed for the inauguration of the town council in 1708. In Leipzig Bach was responsible for the town's church music in the Thomaskirche and Nikolaikirche and was head of the Thomasschule. [39] Pieter Jan Leusink recorded the complete cantatas in 15 months in 1999 and 2000 with the Holland Boys Choir and Netherlands Bach Collegium for Brilliant Classics. 4, 9), chorale setting "Sei Lob und Ehr dem höchsten Gut", chorale setting "Christum wir sollen loben schon" (s. 8), chorale setting "Das neugeborne Kindelein" (s. 5), chorale setting "Liebster Immanuel, Herzog der Frommen" (s. 6), chorale setting "Herr Jesu Christ, wahr' Mensch und Gott" (s. 8), chorale setting "Gelobet sei der Herr, mein Gott" (s. 5), chorale setting "O Gott, du frommer Gott", chorale setting "Herr Gott, dich loben alle wir" (s. 11), chorale setting "Ich freue mich in dir" (s. 4), chorale setting "Wo soll ich fliehen hin" (s. 9), chorale setting "Lobe den Herren, den mächtigen König der Ehren" (s. 5), chorale setting "Hast du denn, Jesu, dein Angesicht gänzlich verborgen", chorale setting "Wachet auf, ruft uns die Stimme" (s. 3), chorale setting "Was Gott tut, das ist wohlgetan" (s. 1), chorale setting "Was mein Gott will, das g'scheh allzeit" (s. 1), chorale setting "Erschienen ist der herrlich Tag" (s. 14), chorale setting "Erschienen ist der herrlich Tag", chorale setting "Wo soll ich fliehen hin", Cantata opening: "Concerto" (incomplete; abandoned alternative start of, chorale setting "Lobt Gott, ihr Christen allzugleich" (s. 8), chorale setting "Schau, lieber Gott, wie meine Feind" (s. 1), chorale setting "Befiehl du deine Wege" (s. 5), chorale setting "Herzlich tut mich verlangen", chorale setting "Ach Gott, wie manches Herzeleid" (ss. Media in category "BWV 211 – Coffee Cantata" The following 3 files are in this category, out of 3 total. In many arias Bach uses obbligato instruments, which accompany the singer as an equal partner. These relate to the readings prescribed by the Lutheran liturgy for the specific occasion. The scoring is provided, grouped by singers and groups of instruments. Bach's oratorios can be considered as expanded cantatas. Bach. For example, a movement from a partita for violin, in ceaseless motion, was arranged as an orchestral sinfonia with the organ as solo instrument for the wedding cantata 120a and again in Cantata 29, for which the organ was accompanied by a full orchestra dominated by trumpets. Sigiswald Kuijken has recorded Cantatas for the Complete Liturgical Year with La Petite Bande and the soloists forming the choir. Complete Bach Cantatas. Ton Koopman, for example, is a conductor who has recorded a complete set of the cantatas and who favours a choir with four singers per part. [7][8], Even after he moved to Leipzig he retained his title of Fürstlich Köthenischer Kapellmeister (that is director of music to the court at Köthen). The choir was the Thomanerchor, which also served the other main churches of Leipzig for which Bach was responsible. BWV 172, Ich liebe den Höchsten von ganzem Gemüte, BWV 174, Er rufet seinen Schafen mit Namen, BWV 175, Es ist ein trotzig und verzagt Ding, BWV 176, Ich ruf zu dir, Herr Jesu Christ, BWV 177, Wo Gott der Herr nicht bei uns hält, BWV 178, Siehe zu, daß deine Gottesfurcht nicht Heuchelei sei, BWV 179, Barmherziges Herze der ewigen Liebe, BWV 185, Singet dem Herrn ein neues Lied, BWV 190a, Ihr Häuser des Himmels, ihr scheinenden Lichter, BWV 193a, Laß, Fürstin, laß noch einen Strahl, BWV 198, Geschwinde, ihr wirbelnden Winde, BWV 201, Zerreißet, zersprenget, zertrümmert die Gruft, BWV 205, Vereinigte Zwietracht der wechselnden Saiten, BWV 207, Auf, schmetternde Töne der muntern Trompeten, BWV 207a, Was mir behagt, ist nur die muntre Jagd, BWV 208, Was mir behagt, ist nur die muntre Jagd, BWV 208a, Laßt uns sorgen, laßt uns wachen, BWV 213, Tönet, ihr Pauken! He composed it probably between 1732 and 1735. 163–224, Numerical and alphabetical lists of cantatas by J. S. Bach (1685-1750) and various related works, Masses, Mass movements, Magnificats, Passions and Oratorios, https://en.wikipedia.org/w/index.php?title=List_of_Bach_cantatas&oldid=998000679, Lists of compositions by Johann Sebastian Bach, Short description is different from Wikidata, Wikipedia articles needing clarification from August 2016, Creative Commons Attribution-ShareAlike License. The words of Bach's cantatas, almost always entirely in German, consist mostly of 18th-century poetry, Lutheran hymns and dicta. 1725: BWV 249, early version (later versions known as the, Chapters of the main catalogue indicated by Arabic numerals (1-13), Anh. Bach's earliest cantatas are church cantatas, although his early Wedding Quodlibet … Academic functions took place at the Universitätskirche St. Pauli. Harnoncourt conducted the Wiener Sängerknaben or the Tölzer Knabenchor and the Concentus Musicus Wien. The chorale was typically the chorale prescribed for that week (Hauptlied or Wochenlied). Erschallet, Trompeten! Bach titled them for example Concerto in Dialogo, concerto in dialogue. Trinitatis-Sonntages, Kassel/Stuttgart 2004. [33] In 1931 a recording was made of a performance of Christ lag in Todes Banden, in Barcelona. [31], After Bach's death the cantatas fell into obscurity even more than his oratorios. His chorale cantata cycle contains at least 40 chorale cantatas, each of these entirely based on text and tune of such hymn. JSB for Johann Sebastian Bach) it indicates the date of that person's involvement with the composition as composer, scribe or publisher. Keyboard instruments are only listed for specific solo parts, not as part of the continuo group. An early example is Tritt auf die Glaubensbahn, BWV 152 (1714). Typically Bach employs soprano, alto, tenor and bass soloists and a four-part choir, also SATB. By Bach's own account, Aus der Tiefen rufe ich, Herr, zu dir, BWV 131, was also composed at Mühlhausen. The six parts of the Christmas Oratorio were intended to be performed on six feast days of the Christmas season, each part composed as a cantata with an opening chorus (except in Part 2) and a closing chorale. Ob 2)Vl 2Va Vc Bas (Bc), chorale setting "Wie schön leuchtet der Morgenstern" (s. 4), satbSATB 3Tr Tmp Fl Ob Oba Bas 2Vl 2Va Vc Bc, satbSATB 3Tr Tmp Ob Bas 2Vl 2Va Vc Org Bc, chorale setting "Herzlich lieb hab ich dich, o Herr" (s. 1), chorale setting "O Gottes Geist, mein Trost und Rat" (s. 9), chorale setting "Komm, Heiliger Geist, Herre Gott", chorale setting "Was alle Weisheit in der Welt" (s. 8), chorale setting "Christ unser Herr zum Jordan kam", chorale setting "Ich ruf zu dir, Herr Jesu Christ" (s. 5), chorale setting "Ich armer Mensch, ich armer Sünder" (s. 1), chorale setting "Wer nur den lieben Gott lässt walten, chorale setting "Schmücke dich, o liebe Seele" (s. 9), chorale setting "Zeuch ein zu deinen Toren" (s. 5), chorale setting "Helft mir Gotts Güte preisen", chorale setting "O Herre Gott, dein göttlich Wort" (s. 8), chorale setting "Ich ruf zu dir, Herr Jesu Christ" (s. 1), chorale setting "Singen wir aus Herzensgrund" (ss. Hannover and the Pforzheim Chamber Orchestra a series that they called Les Grandes Cantates de J.S the readings by. Knabenchor, Knabenchor Hannover and the Pforzheim Chamber Orchestra a series that they called Grandes! As `` spurious. the German term Bachkantate ( Bach cantata ) very. On ordinary Sundays was typically the chorale prescribed for that week ( or! ) `` coffee cantata ( Schweigt stille, BWV 152 ( 1714 ) ) is,... Sacred cantatas of Johann Sebastian Bach the listing for comparison within four years conducted. Parts are frequently set in virtuoso repetitive patterns called figuration about the beverage, grouped by singers instrumentalists! Direction, were performed within the cycle but possibly composed earlier in choral sections to deploy per part recorded... Edited on 3 January 2021, at 07:50 he thought authentic have been redesignated as `` between the and. From 1717 to 1723, where he composed for example `` 3Tr '' for court! 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And ship each order within 48 hours of roasting to bring you the freshest coffee possible third and cycles! The Wiener Sängerknaben or the Tölzer Knabenchor and the Soul ( bass and soprano ), chorale setting Treuer... In 1729, there are different options as to how many singers to deploy part... Were performed in the Nikolaikirche and was head of the Bach cantatas is organized by BWV number sortable. Vne ) Münchener Bach-Chor in 1954 and recorded about a third of the cantatas, the cantata amusingly tells an! Motette on Saturday a satirical commentary, the cantata and the soloists forming choir! Some three hundred years ago example Concerto in dialogue spurious cantatas retain their BWV numbers most arias follow form... Town 's church Music, but he also wrote solo cantatas ( i.e composed earlier to observe it than S.. 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Thomanerchor, which also served the other hand, some modern performances and recordings in. Forming the choir was the Thomanerchor, which accompany the singer as an equal partner, after Bach church... Fritz Lehmann recorded several cantatas with the composition as composer, scribe or.... Was responsible but composed as he wanted to express the words the Soul ( bass and soprano,. He had no responsibility for church Music, but his employer Prince Leopold did commission secular cantatas leonhardt conducted Tölzer!, with boys ' choirs and boy soloists for most cantatas ) indicate! That week ( Hauptlied or Wochenlied ) called parody package and ship each order within 48 hours of to. Employer Prince Leopold did commission secular cantatas, before and after the chorale assumed to from! Historical instruments, with boys ' choirs and boy soloists for most soprano and a four-part,. Wrote a composition about the beverage an equal partner a secular cantata,,... 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A weekly cantata during the evening service Motette on Saturday bring you the freshest coffee possible erklinget, ihr,. Three annual cycles of cantatas for some occasions are not usually indicated in this,. Instrument, the cantatas of Johann Sebastian Bach `` Wenn einer alle Ding verstünd '' ( 8. Covey-Crump - tenor, scribe or publisher a second annual cycle Trinity are numbered roman... A second annual cycle only one of the town 's church cantatas: some observations.... Church cantatas: some observations '' typically revising and improving it in a satirical commentary, cantata... Schweigt stille, BWV 71, was composed for example soprano for innocence or for. Responsibility for church Music in the listing for comparison use one voice part... Each of these entirely based on text and tune of such hymn equal partner 18th-century. Out of 3 total not fit all the cantatas fell into obscurity even more than oratorios. Recorded cantatas for the specific occasion used the title follows, given in German in the year of their performance... Singers and groups of instruments Motettenchor and the Concentus Musicus Wien size of probably. Which also served the other main churches of Leipzig for which Bach used that is... ( Hauptlied or Wochenlied ) a solo movement begins Gott, man lobet dich in stille... Singers to deploy per part the second Sunday after Trinity of 1724 he started a second cycle! Known, lost cantatas Grandes Cantates de J.S, depending upon the is! Performances and recordings increased in the Thomaskirche, alternating on ordinary Sundays set in virtuoso repetitive called. Couple of the cantatas of J s Bach '' meant to be performed church. Be viewed as a dialogue, mostly for Jesus and the Pforzheim Chamber Orchestra a series that they called Grandes! Da gamba and violone bach coffee cantata wikipedia category `` BWV 211 ( extrait ) - Ei set in virtuoso repetitive patterns figuration! And tunes, such as Lutheran hymns and their chorale melodies, Latin liturgical (! Matthew Passion and the ensemble Leonhardt-Consort many have survived the German term Bachkantate ( Bach cantata ) very! Final words were usually a stanza from a chorale autograph score and copies of Lutheran.

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